Friday, May 3, 1957 : ELVIS PRESLEY continues work on the "Jailhouse
Rock" soundtrack sessions. After a first attempt at "I Want To Be Free"
on May 1, the song is completed on this day, along with "Don't Leave
Me Now" and a special movie version of "Treat Me Nice". The recordings
used in the soundtrack of the movie are different to those put out on
record, with the exception of "Baby I Don't Care", the recording of
which is begun on this day and finished on May 8 (at MGM Soundstage
in Culver City, California). Release (of the non-movie versions) on
the 5-track EP "Jailhouse Rock" (RCA EPA 4114) in October. 
Personnel : Elvis Presley (vocals / rhythm guitar / bass on "Baby I
Don't Care"), Scotty Moore (guitar) ; Bill Black (bass) ; D.J. Fontana
(drums) ; Dudley Brooks (piano) ; The Jordanaires (backup vocals).
The producer is listed as Jeffrey Alexander, but the input of Jerry
Leiber and Mike Stoller is probably more important.
Location : Radio Recorders, Hollywood.

May 3, 1957 : DAVID HOUSTON is at RCA Victor Studio in Manhattan,
New York City, where he records his next two singles : "One And Only"/
"Hackin' Around" (RCA 6927, rush-released) and "I'll Follow You"/"The
Teenage Frankie And Johnny" (RCA 7001, July). Produced by Steve Sholes. 

May 6, 1957 : SCREAMIN' JAY HAWKINS visits Columbia Recording Studio
in New York City to record his forthcoming single, "Frenzy"/"Person
To Person" (Okeh 7087, August).
Personnel : Everett Barksdale, Kenny Burrell, Danny Perri (guitars) ;
Lloyd Trotman (bass) ; Ernie Hayes (piano) ; Panama Francis (drums).
Arranged and conducted by Leroy Kirkland. Produced by Arnold Maxim.
Most likely this was a split session with LITTLE JOE (COOK) AND THE
THRILLERS, who record their only hit, "Peanuts"/"Lilly Lou" (Okeh
7088, July) on this day, with the same producer and arranger. 

May 6, 1957 : Six days into his new Atco contract, BOBBY DARIN has
his first session for the label, while on the road in Tennessee. 
"I Found A Million Dollar Baby"/"Talk To Me Something" becomes his
debut Atco single (6092), released in July. "Just In Case You Change
Your Mind" comes out on Atco 6109 in January 1958. The fourth track,
"Wear My Ring" (soon to be recorded by Gene Vincent) will first appear
on Bobby's first LP, titled "Bobbby Darin" (Atco 33-102, September
1958), which also includes the other three songs.
Personnel : Hank Garland (guitar) ; Marvin Hughes (piano, producer) ;
Bob Moore (bass) ; Farris Coursey (drums) ; The Jordanaires and Millie
Kirkham (vocal chorus). Location : Bradley Studio, Nashville.

May 6, 1957 : CONNIE FRANCIS, still waiting for her first hit, records
the single "Eighteen"/"Faded Orchid" (MGM 12490, June). "My Sister's
Clothes" is first released on the Bear Family box-set "White Sox, Pink
Lipstick And Stupid Cupid" (BCD 15616) in 1993.
Orchestra conducted by Sid Bass. Produced by Jim Vienneau at Coastal
Recording Company in New York City.

May 8, 1957 is the recording date of the EDWIN BRUCE single "Rock
Boppin' Baby"/"More Than Yesterday" (Sun 276, August). The third
track from this session, "Eight Wheel Driver" is first released on
Bear Family BFX 15194 (LP "Rock Boppin' Baby") in 1986.
Produced by Sam Phillips at the Sun Studio in Memphis.

Thursday, May 9, 1957 : JAMES "SUGAR BOY" CRAWFORD is at Cosimo Studio
in New Orleans. He records "I Need Your Love" and "It's Over", which
will be released in May 1958 (Imperial 5513), his last single for Lew
Chudd's label. The other two tracks, "The Facts" and "I Have A Feeling"
finally see the light of day with the release of the LP "New Orleans
Classics" (French Imperial 1561351), issued by Pathe-Marconi in 1985.
Crawford (vocals / piano) is supported by Dave Bartholomew's orchestra. 

May 9, 1957 : GUY MITCHELL has a session at Columbia Recording Studio
in New York City with Jimmy Carroll and his orchestra. He records "Sweet
Stuff" and "In the Middle Of A Dark, Dark Night" for his next single
(Columbia 40940, June). A third track, "C'mon, Let's Go", will be used
for a future single (Columbia 41033, October).
Personnel : Guy Mitchell (vocals) ; Al Caiola, Allen Hanlon, Edward
O'Connor, Bucky Pizzarelli (guitars) ; Frank Carroll (bass) ; Joe
Antman (piano) ; Ed Shaughnessy, Chauncey Morehouse (drums).
Produced by Mitch Miller.

May 10, 1957 : CLARENCE PALMER and the Jive Bombers record material
for two singles : "You Took My Love"/"Cherry" (Savoy 1515, June) and
"Just Around the Corner"/"Is This the End?" (Savoy 1535, April 1958).
In both cases, label credit goes to Clarence 'Bad Boy' Palmer and the 
Jive Bombers.
Musicians : Clarence Palmer (lead vocals / bass) ; Allen Tinney (piano,
background vocals) ; Pee Wee Tinney (guitar, drums, background vocals) ;
Kenny Burrell (guitar) ; Leonard Gaskin (bass) ; Earl Johnson (tenor
sax) ; Bobby Donaldson (drums).
Location : New York City.

May 10, 1957 : In Nashville, LEFTY FRIZZELL records three tracks with
the Nashville A-team. "No One To Talk To" and "Is It Only That You're
Lonely" are chosen for his next single (Columbia 40938, June), while
"Mailman Bring Me No More Blues" will stay on the shelves, probably
due to the release of Buddy Holly's version of the same song. But the
track has been included in Lefty's 12-CD box-set "Life's Like Poetry"
(Bear Family BCD 15550) in 1992.
Personnel : Lefty Frizzell (vocals / guitar) ; Shirley Caddell (duet
vocal) ; Grady Martin, Hank Garland, Ray Edenton (guitars) ; Junior
Huskey (bass) ; Marvin Hughes (piano) ; Buddy Harman (drums). Unknown
(vocal chorus). Produced, as usual, by Don Law at Bradley Studio.

May 11, 1957 : At his second (and final) session for Capitol, BOBBY BARE
records "A Beggar" and "The Livin' End" for his next single (Capitol 3771,
August).
Bobby Bare gets vocal support by a female duo, The Little Bears (Jeannie
Black and her sister Jan). Produced by Ken Nelson at the Capitol recording
Studio.

Monday, May 13, 1957 : In New York City, JOE TURNER lays down his next
two singles : "Love Roller Coaster"/"World Of Trouble" (Atlantic 1146,
June) and "I Need A Girl"/"Trouble In Mind" (Atlantic 1155, September).
Backing by Choker Campbell's band. Produced by Ahmet Ertegun and Jerry
Wexler.

May 13, 1957 : DAVE BARTHOLOMEW records "How Could You", which will be
coupled with the yet-to-record "Barrel House" for release on Imperial
5460 in August. The only other track from this session is "In the Evening",
which will have to wait until 1985 for a release on the Pathe-Marconi LP
"The Monkey" (156 1331, France).
Personnel : Dave Bartholomew (vocals / trumpet) ; Lee Allen, Clarence
Hall, Herb Hardesty (tenor saxes) ; Justin Adams (guitar) ; Frank Fields
(bass) ; Edward Frank (piano) ; Charles 'Hungry' Williams (drums).
Location : Cosimo Studio, New Orleans. 

May 13, 1957 : Seeing that Sam Phillips does not release his recordings,
NARVEL FELTS tries his luck at Mercury, where he is booked for a long 
session at Universal Recording Corporation in Chicago. He rerecords eight
of the ten songs that were previously done for Sun. Two singles will be
issued in 1957 : "Kiss-A-Me Baby"/"Foolish Thoughts" (Mercury 71140,
June) and "Cry Baby Cry"/"Lonesome Feeling" (Mercury 71190, September).
The other six tracks are first released on Bear Family BFX 15242 (LP
"A Teen's Way") in 1985 : "A Fool In Paradise", "Your Touch", "Lonely
River", "A Teen's Way", "I'm Headin' Home" and "Your First Broken Heart".
Personnel : Narvel Felts (vocals / guitar) ; Leon Barnett (guitar) ;
J.W. Grubbs (bass) ; Jerry Tuttle (steel guitar, sax) ; Chuck Stacy
(piano) ; Bob Taylor (drums). Produced by David Carroll.

May 14, 1957 : During their second session for RCA, THE LANE BROTHERS
lay down the single "Uh Huh Honey"/"Ding Dang Danglin'" (RCA 6900, June).
The Lane Brothers are Pete, Frank and Art Loconto.
Personnel : George Barnes, Al Casamenti, Sebastian Mure (guitars) ;
Bucky Pizzarelli (bass guitar) ; George Duvivier (bass) ; Hank Jones
(piano) ; Osie Johnson (drums). Plus a 4-piece male vocal chorus. 
Arranged and conducted by Joe Reisman. Produced by Hugo Winterhalter
at Webster Hall in New York City.

Wednesday, May 15, 1957 : RUTH BROWN does another session for Atlantic.
All four tracks are released, on two singles : "Show Me"/"I Hope We Meet"
(Atlantic 1153, September) and "A New Love"/"Look Me Up" (Atlantic 1166,
December).
Personnel : Jimmy Mitchell (alto sax) ; Lee Anderson (piano) ; Al Caiola,
Allen Hanlon (guitars) ; Percy Heath (bass) ; Connie Kay (drums) ; Jerry
Duane, Bob Harter, Artie Malvin, Robert Miller (vocal chorus).
Produced by Ahmet Ertegun and Jerry Wexler in New York City.

May 15, 1957 : CHUCK BERRY is in the Chess Studio in Chicago where he
records the A-sides of his next two singles, "Oh Baby Doll" (Chess 1664,
June) and "Rock 'n' Roll Music" (Chess 1671, October). The other tracks
end up on various LP's : "How You've Changed" on "One Dozen Berries"
(Chess LP 1432, 1958), "Thirteen Question Method" on "New Juke Box Hits"
(Chess LP 1456, 1961) and the instrumental "How High the Moon" on "Chuck
Berry On Stage" (Chess LP 1480, 1963), the latter with overdubbed audience
noise.
Musicians : Chuck Berry (vocals / guitar) ; Lafayette Leake (piano) ;
Willie Dixon (bass) ; Fred Below (drums). And possibly a second unknown
guitarist.

May 15, 1957 : THE MIDNIGHTERS lay down their next two singles : "Oh
So Happy"/"Is Your Love For Real" (Federal 12299, June) and "Let 'Em
Roll"/"What Made You Change Your Mind" (Federal 12305, August).
Location : probably Bell Sound Studio, New York City.
Personnel : Hank Ballard (lead vocal) ; Lawson Smith, Henry Booth, Sonny
Woods (background vocals) ; Cal Green (guitar) ; Carl Pruitt (bass) ;
Hank Moore and Alphonse Strother (tenor saxes) ; Maxwell Lucas (alto /
baritone sax) ; Pat Patterson (trumpet) ; Joe Hunter (piano) ; George
DeHart (drums). Produced by Henry Glover.

May 16, 1957 : THE SHARPS (formerly the Lamplighters) are now signed to
Aladdin Records, joining their former lead singer Thurston Harris. Their
first session for the label (in Los Angeles) yields the single "Lock My
Heart"/"Our Love Is Here To Stay", which will be released on the Aladdin
subsidiary Lamp (2007) in July.
The Sharps are : Carl White (lead vocal), Al Frazier, Rocky Wilson and
Sonny Harris. Probably produced by Earl Palmer.

May 16, 1957 : Another Aladdin act, SHIRLEY AND LEE, also records on this
day, at Cosimo Studio in New Orleans. "Rockin' With the Clock"/The Flirt"
is released on Aladdin 3390 in late July. According to Michel Ruppli's
Aladdin / Imperial discography, "Rock All Nite" (Aladdin 3380) was also
recorded at this session, but that single was already mentioned in the
Billboard issue of May 20, so that seems very unlikely.
Backing by Cosimo Matassa's studio band. Sax solo by Lee Allen. Produced
by Dave Bartholomew.

May 16, 1957 : MARVIN RAINWATER arrives at Coastal Recording Corporation
in New York City for an evening session. "My Brand Of Blues" is selected
as the A-side of his next single (MGM 12511, end of June). "Look For Me
(I'll Be Waiting For You)" follows in November (MGM 12586). "Wayward 
Angel" remains unissued until the release of Marvin's 4-CD Bear Family
box-set ("Classic Recordings", BCD 15600) in 1992.
Personnel unknown (labels say "with instrumental accompaniment").

May 17, 1957 : In Los Angeles, FLOYD DIXON has a session for Lee Rupe's 
Ebb label. The Little Richard styled rocker "Oooh Little Girl" is coupled
with "What Is Life Without A Home" for release on Ebb 105 in June. Two
other tracks, "Rita" and "I'll Always Love You" stay in the can until
1990, when they are released on the CD "Marshall Texas Is My Home" (Ace
CDCHD 361 / Specialty SPCD-7011).
Session personnel includes : Plas Johnson (tenor sax) ; Earl Palmer
(drums). More details unknown.

May 19, 1957 : Another session for GUY MITCHELL this month. At Columbia
Recording Studio in New York City, "Call Rosie On the Phone" and "Cure
For the Blues" are recorded for a future single (Columbia 40987, August),
while "If Ya Don't Like It, Don't Knock It" goes unissued in the US, but
will be released in the UK (Philips PB 798) in March 1958.
Again Guy Mitchell is backed by Jimmy Carroll and his Orchestra, which
may contain most (or all) of the musicians, who played on the May, 9
session. 
Produced by Mitch Miller.

May 19, 1957 : THE CADILLACS do a three-track session in New York
City. "My Girlfriend"/"Broken Heart" is selected for the new single
(Josie 820, June). "Don't Be Mad With My Heart" ends up on the LP
"The Crazy Cadillacs" (Jubilee LP 1089) in 1959. 
The Cadillacs at this time are : James Bailey, Bill Lindsay, Champ
Rollow and Bobby Spencer.

Monday, May 20, 1957 : In New York City, RAY CHARLES waxes "Swanee
River Rock"/"I Want A Little Girl" for release on Atlantic 1154 in
September, and also both sides of Atlantic 1172, "Talkin' 'Bout You"/
"What Kind Of Man Are You"(issued in January 1958). The fifth track
from this session is "That's Enough" (Atlantic 2022, March 1959).
Personnel : Ray Charles (vocals / piano) ; Joe Bridgewater, Ricky
Harper (trumpets) ; Dave Newman (alto sax, tenor sax) ; Emmett Davis
(baritone sax) ; Edgar Willis (bass) ; William Peeples (drums) ; The
Raelettes (vocal chorus).

May 20, 1957 : THE FIVE SATINS (Bill Baker, Ed Martin, Jim Freeman,
Tommy Killebrew, Jessie Murphy) record their next two singles in New
York City : "To the Aisle"/"Wish I Had My Baby" (Ember 1019, June)
and "Our Anniversary"/"Pretty Baby" (Ember 1025, October).

May 20, 1957 : Four-track session for SMILEY LEWIS at Cosimo Studio
in New Orleans. Imperial boss Lew Chudd selects "Go On Fool"/"Goin' To
Jump And Shout" for single release (Imperial 5450, July). "How Long"
is first issued on the French Pathe-Marconi LP "Ooh La La" (156 1391)
in 1985 and "The Sheik Of Araby" on a Japanese EMI CD (TOCP 7292), ca.
1989.
Personnel : Ernest McLean (guitar) ; Frank Fields (bass) ; Clarence
Hall, Herb Hardesty (tenor saxes) ; Meyer Kennedy (alto sax) ; Dave
Bartholomew (trumpet, producer) ; Huey 'Piano' Smith (piano) ; Charles
'Hungry' Williams (drums).

May 20, 1957 : 15-year old PAUL ANKA does his first session for ABC-
Paramount, in New York City. "Diana"/"Don't Gamble With Love" is chosen
for single release (ABC 9831, July), resulting in a # 1 hit in both
the US and the UK. "Tell Me That You Love Me" (ABC 9855, October) and 
"When I Stop Loving You" (ABC 9855, January 1959) end up on the B-sides
of Paul's second and third ABC single ("I Love You Baby" and "You Are
My Destiny" respectively).
Arranged and conducted by Sid Feller, produced by Don Costa.

May 21, 1957 : FERLIN HUSKY waxes the single "A Fallen Star"/"Prize
Possession" (Capitol 3742, June), which will give him his second pop
hit, after "Gone".
Produced by Ken Nelson at Bradley Studio in Nashville.

May 23, 1957 : After an April session in New York City, PATSY CLINE is
back at Bradley Studio, Nashville, where she records six tracks for her
first long player, simply titled "Patsy Cline" (Decca DL 8611, August) :
"That Wonderful Someone", "In Care Of the Blues","Hungry For Love",
"I Can't Forget", "Ain't No Wheels On This Ship" and "I Don't Wanta"
(also released as a single, Decca 30504, November).
Personnel : Hank Garland, Grady Martin, Harold Bradley (guitars) ; Jack
Shook (steel guitar) ; Bob Moore (bass) ; Owen Bradley (piano, producer) ;
Farris Coursey (drums) ; The Anita Kerr Singers (vocal chorus).

May 23, 1957 : LLOYD PRICE records two singles for his own KRC label,
which (starting June) is distributed nationally by Atlantic Records.
"The Chicken And the Bop"/"Lonely Chair" is released in July (KRC 301),
followed by "Hello Little Girl"/"Georgianna" (KRC 303) in October.
Personnel : Vernon Emmanuel (poss. guitar) ; Gladstone Thomas (organ) ;
Claude Green, Pritchard Cheesemen (saxes) ; Monzie Isaroon, Clinton
Thorburne (trumpet, piano or drums). Produced by Lloyd Price.
Location : New York City or Washington, D.C. (U.S. Recording Studio).

May 24, 1957 : IVORY JOE HUNTER records nine tracks for his LP "Ivory
Joe Sings the Old And New" (Atlantic LP 8015, February 1958) : "Worried
Mind", "I Could Fall In Love With You", "I Didn't Mean To Be Mean",
"Moonlight And Roses", "I'll Be Faithful", "Where Are You?", "I'll Take
You Home Again Kathleen", "There Goes My Heart" and "One More Memory".
On the last three tracks the personnel is : Dick Hyman (organ); Billy
Mure, Al Caiola (guitars) ; Hayward Cheeks (bass) ; Joe Marshall (drums).
Plus a 7-piece vocal backing group. Arranged and conducted by Ray Ellis.
Location : New York City.

May 24, 1957 : KEN COPELAND records two tracks at the Clifford Herring
Studio in Fort Worth, which (again) will be leased to Imperial. "Bed Of
Lies" appears on Imperial 5453 in June and "I Would Give My Heart" on
Imperial 5466 in September. The flip-sides of these singles, "Teenage"
and "I Want To Go Steady With You" respectively, were laid down on
April 19, 1957. Produced by Joe Leonard.

May 26, 1957 : PEANUTS WILSON records the single "Cast Iron Arm"/"You've
Got Love" at Norman Petty Studios in Clovis, New Mexico. Release date is
November 27 (Brunswick 55039).
Personnel : Johnny 'Peanuts' Wilson (vocal / rhythm guitar) ; poss. Roy
Orbison (lead guitar) ; Jack Kennelly (bass) ; Jimmy Seals or James Morrow
(sax) ; Billy Pat Ellis (drums). Produced by Norman Petty.

May 27, 1957 : MELVIN ENDSLEY's second session yields two singles :
"Keep-A Lovin" Me Baby"/"Lonely All Over Again" (RCA 6968, July) and
"I Got A Feelin'"/"There's Bound To Be" (RCA 7147, January 1958). All
four tunes are self-composed.
Musicians : Melvin Endsley (vocals / guitar) ; Jethro Burns (electric
guitar / mandolin) ; Ernie Newton (bass) ; Floyd Cramer (piano) ; Buddy
Harman (drums) ; The Oakridge Boys (vocal chorus).
Produced by Chet Atkins at RCA Victor Studio in Nashville.

May 28, 1957 : FARON YOUNG waxes the single "Love Has Finally Come My Way"/
"Moonlight Mountain" (Capitol 3753, June) at Bradley Studio in Nashville.
Backing by : Hank Garland, Jack Shook (guitars) ; Lightnin' Chance (bass) ;
Marvin Hughes (piano) ; Buddy Harman (drums) ; The Anita Kerr Singers
(vocal chorus). Produced by Ken Nelson.

Wednesday May 29, 1957 : BUDDY HOLLY is back at Norman Petty's Nor Va
Jak studio in Clovis, New Mexico, where he records two tracks. "Everyday"
will appear as the B-side of "Peggy Sue" on September 20 (Coral 61885).
The Bo Diddley-inspired "Not Fade Away" will be released on October 27
(Brunswick 55035), credited to The Crickets.
Personnel : Buddy Holly (vocals / guitar) ; Joe Mauldin (bass) ; Vi Petty
(celeste) ; Jerry Allison (cardboard box percussion / knee slapping on
"Everyday"). "Not Fade Away" will later be overdubbed with backing vocals
by Buddy Holly, Jerry Allison and Niki Sullivan.
Produced by Norman Petty.

May 29, 1957 : JOE TEX's final session for King (in New York City) yields
the single "Ain't Nobody's Business"/"I Want To Have A Talk With You"
(King 5064, July). An overdubbed version of the B-side is issued on King
5981 in 1965, to cash in on Joe's then new-found chart fame. 
Personnel : Andy Gibson (piano, producer) ; Mickey Baker (guitar) ; Specs
Powell (drums) ; Unknown (bass).

(Possibly) May 30, 1957 : JERRY LEE LEWIS records several tracks at the
Sun studio in Memphis. "Lewis Boogie" will be released on Sun 301 in June
1958 (B-side of "The Return Of Jerry Lee"). All other tracks stay in the
can till after the purchase of the Sun catalogue by Shelby Singleton.
"You Are My Sunshine" comes out in 1970 on the LP "Ole Tyme Country Music"
(Sun 121). "Sixty Minute Man", "All Night Long", "Carolina Sunshine Girl"
and "Long Gone Lonesome Blues" all see their first release on the LP
"Rockin' And  Free" (Sun 6467029) in 1974. "I Don't Love Nobody" is
included on "Jerry Lee Lewis Collectors Edition" (Sun NY-6), a Dutch LP
from 1975.
Some of these tracks may have been recorded at a later date.
Personnel : Jerry Lee Lewis (vocals / piano) ; Roland Janes (guitar) ;
poss. J.W. Brown (bass) ; poss. Russell Smith (drums). Produced by Sam
Phillips and Jack Clement.

May 30, 1957 : AL TERRY does an evening session at Bradley Studio in
Nashville. "Late Date"/ "It's What You Are To Me' is chosen for the new
single (Hickory 1066, July). "Your Sweet Lies" is saved until October
1958 for release on Hickory 1088.
Personnel : Hank Garland, Ray Edenton (guitars) ; Bob Moore (bass) ;
Floyd Cramer (piano) ; Buddy Harman (drums) ; The Jordanaires (vocal
chorus). Produced by Wesley Rose.

May 1957, unknown date : EDDIE COCHRAN session information for the
period May - August 1957 is sketchy. It is likely that the single "Am
I Blue"/"Drive-In Show" (Liberty 55087, first week of July) was laid down
in May. Work on the LP "Singin' To My Baby" (produced by Simon Jackson,
released in November) may also have started during this month.
Personnel : Eddie Cochran (vocals / guitar / ukelele) ; Perry Botkin
(rhythm guitar) ; Guybo Smith (stand-up bass) ; Unidentified (drums) ;
The Johnny Mann Chorus (vocal chorus).
Location : Gold Star Recording Studios, Hollywood.

May 1957, unknown date : THE DEL VIKINGS record at least ten tracks for
Mercury in this month, at Universal Recorders in Chicago. "Cool Shake"/
"Jitterbug Mary" is released on Mercury 71132 in June (just after the
the Dot single "Whispering Bells"). "Come Along With Me"/"What'Cha
Gotta Lose" follows in September (Mercury 71180) and "The Voodoo Man"
(Mercury 71266) in January 1958. "Down In Bermuda", "The White Cliffs
Of Dover" and "Yours" end up on the LP "The Del Vikings - They Sing …
They Swing" (Mercury MG 20314) in late 1957. "Over the Rainbow" and
"There I Go" remain unissued for decades.
Arranged and conducted by Carl Stevens. These Del Vikings are : Gus
Backus, William Blakely, David Lerchey, Clarence Quick and Norman Wright.
The other Dell-Vikings (with double l and hyphen) are led by Kripp
Johnson and record for Dot.

With thanks to Steve Walker and Henk Gorter.

Additions and corrections welcome.
 
Dik

In the can index