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Repertoire Catalogue for
Piccolo, Alto Flute and Bass Flute
Musicological Dekstop
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Frans Vester Stichting /
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Repertoire Catalogue for Piccolo, Alto Flute and Bass Flute
Including ca. 900 works for flute choir or flute orchestra
Compiled by Peter van Munster
Purchase
Click here
for two example pages.
This catalogue is published by the Italian publishing house
Riverberi Sonori in Rome.
The idea for this catalogue was prompted by a Concise Survey of Music for the Piccolo which was compiled in 1986 for a study week for flutists in
De IJsbreker, centre for contemporary music in Amsterdam. The piccolo was given quite a lot of attention during that week, which is why the
coordinator, the flute - player Rien de Reede, asked my wife Rineke Smilde, who is a
musicologist, and myself to draw up a list of works for piccolo.
This stencilled list, which was compiled in a few weeks' time and was hence far from complete, evidently catered to a need and was frequently consulted by flute players with an interest in the piccolo.
Rien de Reede, himself a veteran compiler of catalogues and an indefatigable propagandist for just about everything to do with
flutes, saw perspectives for an improved and printed edition, supplemented with an overview of works for alto flute and bass
flute. At his initiative I began, some fifteen or so years ago, to collect titles in the precious spare time I could eke out from my daily activities as a flute teacher.
In the meantime a new era dawned: the age of the computer and Internet. This shed an entirely new light on
collecting. I slowly came to realise that the worldwide availability of information yielded a treasure-trove of new data, but also that so much had been composed for these instruments that a complete survey was nothing short of
utopian. What is more, the limits of what should and what should not be included were almost impossible to
define. Notably in the case of more heavily scored works in which the flute often doubles the piccolo, alto or bass
flute, it is impossible to make consistent choices in, say, the large repertoire for wind
quintet, when a flutist sometimes has to play only a few notes, sometimes important passages and even entire movements on the piccolo. I found myself unable to define suitable criteria for the
selection, in which of necessity I let chance play a large part. Ultimately, I decided to end
(provisionally) my collecting activities and, as was customary in Quantz' day, to submit a
'Versuch' for a catalogue, 'Versuch' in the literal sense of 'attempt'.
I hope that the many enthusiastic piccolo, alto and bass flute - players to whose existence the Internet bears witness will be satisfied for the time being with this extensive list of
works. I also hope that they will support my further efforts by apprising me of errors and
omissions.peter.van.munster@home.nl
This book has turned out to be for practical use and is not a scholarly
catalogue, however much I would have preferred the Iatter. That means that its importance lies primarily in enabling the user to find literature for these instruments which differ from the concert flute in C for the purpose of study or concert
practice. In order to give the user as wide a choice as possible, I have included
arrangements. For easy reference these arrangements do not appear under separate
headings, but they have been made as identifiable as possible. The only exception is the flute
choir/flute orchestra section which, due to the large number of compositions, I have subdivided into original music and
arrangements.
The catalogue consists of three sections in hierarchical order:
piccolo
alto flute
bass/contrabass flute
These are followed by a fourth section with works for flute choir or flute
orchestra, subsectioned as follows:
original music for flute choir/orchestra
arrangements for flute choir/orchestra
Each section is subdivided into subsections based on the scoring or the number of performers.
The first column of each subsection lists:
a. in alphabetical order, the composer's (arranger's) surname, first name(s) or
initials, year of birth, year of death (where applicable), as far as these data are
known to me.
b. in alphabetical order, the title of the work followed, if extant and traceable by the
opus number and subtitle(s).
Any additional information might comprise:
1. the year of composition (between brackets).
2. if applicable, the remark that a work is an arrangement, if possible with the arranger's
surname.
The second column indicates the abbreviated scoring of a work. Abbreviations are explained in an appendix.
The third column contains the name of the publisher or information about the work's possible
availability.
The name of the publishing house is preceded by the publisher's location and followed by the year of publication as far as this information is
traceable. Information about publishers and other sources can be found in the appendix
"Publishers and other sources of information".
Some compositions are in manuscript or printed by the author. Where possible, I have listed information about the composer
(i.e. home address and/or Internet address) by referring to the appendix "Composers".
Please mail me if you would like to be informed about the
catalogue.
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